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ABOUT ME
ABOUT ME
I’m a passionate Journalist, Video Editor, and Technical Production Manager with over eight years of experience in television, live broadcast, newsroom, and field production environments. My background spans from creative storytelling to technical leadership: leading teams, optimizing workflows, and managing complex, high-pressure projects with precision and collaboration.
I’m a passionate Journalist, Video Editor, and Technical Production Manager with over eight years of experience in television, live broadcast, newsroom, and field production environments. My background spans from creative storytelling to technical leadership: leading teams, optimizing workflows, and managing complex, high-pressure projects with precision and collaboration.
My journey started in Brazil, where I worked at Globo, the country’s largest TV broadcaster, as a video editor, where I edited high-profile news and documentary segments before advancing into technical coordination and production management roles. There, I managed control room and field operations for national newscasts reaching more than 100 million viewers, implemented new production workflows, and trained editors to deliver faster, higher-quality results. My experience now extends to EWTN News in Washington, D.C., where I continue to bridge the gap between editorial vision and technical execution in a fast-paced newsroom.
My journey started in Brazil, where I worked at Globo, the country’s largest TV broadcaster, as a video editor, where I edited high-profile news and documentary segments before advancing into technical coordination and production management roles. There, I managed control room and field operations for national newscasts reaching more than 100 million viewers, implemented new production workflows, and trained editors to deliver faster, higher-quality results. My experience now extends to EWTN News in Washington, D.C., where I continue to bridge the gap between editorial vision and technical execution in a fast-paced newsroom.
I hold a Master’s degree in Project Management and a Bachelor’s degree in Journalism, equipping me with the skills to oversee large-scale projects, lead cross-functional teams, and adapt to evolving media technologies. Fluent in English and Portuguese, with working knowledge of Spanish, I bring a multicultural perspective and a deep commitment to crafting stories that resonate with diverse audiences.
I hold a Master’s degree in Project Management and a Bachelor’s degree in Journalism, equipping me with the skills to oversee large-scale projects, lead cross-functional teams, and adapt to evolving media technologies. Fluent in English and Portuguese, with working knowledge of Spanish, I bring a multicultural perspective and a deep commitment to crafting stories that resonate with diverse audiences.
CAREER
CAREER
(2024 - Present)
Video Editor
Video Editor
Washington, DC
As a senior video editor of original documentaries, I contribute to the final script by suggesting soundbites, shaping the narrative structure, and collaborating on graphic and visual storytelling. I edit high-profile news packages, interviews, talk shows, and feature reports for broadcast and digital platforms, leveraging my expert-level proficiency in Avid Media Composer to deliver fast, precise, and polished edits under tight deadlines. I ensure technical accuracy, editorial integrity, and strong visual storytelling.
As a senior video editor of original documentaries, I contribute to the final script by suggesting soundbites, shaping the narrative structure, and collaborating on graphic and visual storytelling. I edit high-profile news packages, interviews, talk shows, and feature reports for broadcast and digital platforms, leveraging my expert-level proficiency in Avid Media Composer to deliver fast, precise, and polished edits under tight deadlines. I ensure technical accuracy, editorial integrity, and strong visual storytelling.
In addition to editing, I serve as the lead video editor, overseeing media asset management and project organization. I operate broadcast routers and support archiving processes to maintain an efficient and accessible post-production environment. I developed clear workflow guides to help editors prepare deliverables and ensure they are delivered properly to the Technical Operations Center (TOC).
In addition to editing, I serve as the lead video editor, overseeing media asset management and project organization. I operate broadcast routers and support archiving processes to maintain an efficient and accessible post-production environment. I developed clear workflow guides to help editors prepare deliverables and ensure they are delivered properly to the Technical Operations Center (TOC).
This project gave me the opportunity to help tell an incredibly moving story. My focus was on capturing the emotional essence of Gary Sinise’s late son’s music. I used intentional sound design and pacing to reflect the depth of the story and the spirit of the album.
To bring this story to life, I gathered footage from various agencies, news feeds, and social platforms. I carefully curated and edited the material while maintaining editorial accuracy and a consistent visual style.
One of the most magical aspects of editing is the ability to transport the audience into the heart of the story, making them feel what’s unfolding on the screen. For this five-day event coverage montage, I organized the raw footage, selected the most powerful sound bites and visuals, and used natural sound to create a fully immersive experience.
(2023)
Videographer
Videographer
Boca Raton, FL
I filmed and edited branded videos, interviews, and short-form clips tailored for social media platforms, adapting the pacing and storytelling to fit the style and audience of each format. I managed video projects from pre- to post-production, ensuring quality, brand consistency, and timely delivery.
I filmed and edited branded videos, interviews, and short-form clips tailored for social media platforms, adapting the pacing and storytelling to fit the style and audience of each format. I managed video projects from pre- to post-production, ensuring quality, brand consistency, and timely delivery.
I used Adobe Premiere and After Effects to craft engaging content and operated DSLR equipment (Sony Alpha VII) and professional lighting kits to capture high-quality video and photography for marketing and e-commerce platforms.
I used Adobe Premiere and After Effects to craft engaging content and operated DSLR equipment (Sony Alpha VII) and professional lighting kits to capture high-quality video and photography for marketing and e-commerce platforms.
I collaborated directly with the founders to align the content strategy with the brand identity and contributed to the visual direction of the website and social channels.
I collaborated directly with the founders to align the content strategy with the brand identity and contributed to the visual direction of the website and social channels.
This project shows my ability to select music that shapes the emotional tone of a story and propels it forward. From concept to final cut, I crafted a bold, attention-grabbing piece that aligned with the brand’s edgy style and resonated across social platforms.
This project showcases my ability to deliver sharp, concise storytelling that is tailored to the rhythm and audience expectations of each channel without compromising style or substance.
Get a behind-the-scenes look at the creation of one of the brand’s most highly anticipated releases. I documented the entire production process, capturing the creative journey and editing a vlog that reflects Soulmate’s energy, authenticity, and connection with its audience.
(2015-2023)
Sr. Video Editor | Post-Production Specialist | Production Manager | Technical Production Manager
Sr. Video Editor | Post-Production Specialist | Production Manager | Technical Production Manager
Rio de Janeiro, RJ & Belo Horizonte, MG/Brazil
My journey at Globo was shaped by my love for all things behind the scenes. From editing urgent news pieces during the Olympic Games to shaping emotional tributes and troubleshooting post-production workflows during Carnaval, I found purpose in the unseen moments, ensuring that everything worked, everything flowed, and the story was always told.
My journey at Globo was shaped by my love for all things behind the scenes. From editing urgent news pieces during the Olympic Games to shaping emotional tributes and troubleshooting post-production workflows during Carnaval, I found purpose in the unseen moments, ensuring that everything worked, everything flowed, and the story was always told.
I started as a video editor in Rio, working across some of the most prominent journalistic and entertainment divisions at Globo, including Jornal Nacional, GloboNews, sports coverage, and long-form specials. I worked on everything from urgent daily packages to 30-minute specials and documentaries. Often, I did so under extreme time pressure and evolving editorial conditions. Editing quickly was one thing, but telling clear, emotionally resonant stories under pressure became my specialty. I also supported live newscasts as an EVS live replay operator, providing rapid video playback during fast-paced coverage. I collaborated closely with the control room team to ensure precise timing and flawless technical execution.
I started as a video editor in Rio, working across some of the most prominent journalistic and entertainment divisions at Globo, including Jornal Nacional, GloboNews, sports coverage, and long-form specials. I worked on everything from urgent daily packages to 30-minute specials and documentaries. Often, I did so under extreme time pressure and evolving editorial conditions. Editing quickly was one thing, but telling clear, emotionally resonant stories under pressure became my specialty. I also supported live newscasts as an EVS live replay operator, providing rapid video playback during fast-paced coverage. I collaborated closely with the control room team to ensure precise timing and flawless technical execution.
Thanks to my strong editorial instincts, I quickly became a trusted name in the newsroom. In my first year, I was invited to become a facilitator, serving as a bridge between the video editors and the editorial team. Each day, I assigned editors to stories based on their complexity, urgency, and tone. I provided performance insights to the post-production manager while ensuring that each segment met Globo’s journalistic standards. Also, mentoring journalists and video editors on Avid Media Composer, Media Central CloudUX, and collaborative newsroom workflows.
Thanks to my strong editorial instincts, I quickly became a trusted name in the newsroom. In my first year, I was invited to become a facilitator, serving as a bridge between the video editors and the editorial team. Each day, I assigned editors to stories based on their complexity, urgency, and tone. I provided performance insights to the post-production manager while ensuring that each segment met Globo’s journalistic standards. Also, mentoring journalists and video editors on Avid Media Composer, Media Central CloudUX, and collaborative newsroom workflows.
When the COVID-19 pandemic hit, I played a pivotal role as a post-production specialist, helping the team transition to remote editing almost overnight. I developed workflow guides, optimized systems, and provided real-time support to editors who were adjusting to remote tools and cloud-based collaboration. For on-site staff, I recommended a rotational shift model to minimize risk, ensuring that half of the team could work from home while the other half remained on-site to maintain smooth operations. Meanwhile, I collaborated closely with the editorial and technical teams to ensure that everything that aired met the same high standards and speed despite the unprecedented challenges.
When the COVID-19 pandemic hit, I played a pivotal role as a post-production specialist, helping the team transition to remote editing almost overnight. I developed workflow guides, optimized systems, and provided real-time support to editors who were adjusting to remote tools and cloud-based collaboration. For on-site staff, I recommended a rotational shift model to minimize risk, ensuring that half of the team could work from home while the other half remained on-site to maintain smooth operations. Meanwhile, I collaborated closely with the editorial and technical teams to ensure that everything that aired met the same high standards and speed despite the unprecedented challenges.
In 2020, I moved to Belo Horizonte and transitioned into a Production Management role. I coordinated a team of over 50 professionals, including video editors, technical directors, camera operators, and sound board operators. As a Technical Production Manager, I aligned technical and technological resources with editorial needs. I oversaw large-scale production planning and helped lead complex broadcasts company-wide, including presidential elections, New Year's specials, sports coverage, concerts, and Carnaval. As the central link between editorial, technical, and support teams, I navigated last-minute rundown changes, managed studio logistics, and ensured everything ran smoothly under pressure.
In 2020, I moved to Belo Horizonte and transitioned into a Production Management role. I coordinated a team of over 50 professionals, including video editors, technical directors, camera operators, and sound board operators. As a Technical Production Manager, I aligned technical and technological resources with editorial needs. I oversaw large-scale production planning and helped lead complex broadcasts company-wide, including presidential elections, New Year's specials, sports coverage, concerts, and Carnaval. As the central link between editorial, technical, and support teams, I navigated last-minute rundown changes, managed studio logistics, and ensured everything ran smoothly under pressure.
At Globo, I grew from a storyteller into a leader. I learned that great production is not just about the final edit; it’s about the trust you build with your team, the systems you create to support creativity, and the resilience it takes to bring clarity to the chaos of live television.
At Globo, I grew from a storyteller into a leader. I learned that great production is not just about the final edit; it’s about the trust you build with your team, the systems you create to support creativity, and the resilience it takes to bring clarity to the chaos of live television.
I worked closely with the journalist to shape the narrative, identify key sound bites, and develop a compelling visual arc that honored the facts and the people behind them. This was an urgent and sensitive story, and I’m proud that our teamwork was recognized on air. It was uncommon and meaningful for the host to name both me and the producer before the story aired.
As Technical Production Manager, I was responsible for coordinating all technical and logistical aspects of the production — from internal and external equipment allocation to crew coordination in another city. I oversaw the setup and technical readiness of the theater where the band’s performance took place, ensuring seamless integration between the field and studio teams. This segment demanded precise planning, teamwork, and adaptability to deliver a technically flawless and emotionally impactful surprise on live television.
In this tribute to one of Brazil’s most beloved singers, I created a heartfelt narrative through editing, honoring his legacy and the deep emotional connection he shared with generations of fans. The piece balances archival footage, interviews, and music, creating a story that feels both intimate and universal.
PORTFOLIO
PORTFOLIO
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